Rookies Entry 2024
Welcome to my Rookies Entry! In here I showcase a collection of pieces created in 2023 and 2024 as a Tech Artist student from DAE. Always up for learning new things, I ventured into the depths of a Tech Artist's tasks from Houdini to scripts to shaders and RFX.
Hi! I'm Cesanne, a student at Digital Arts and Entertainment. Here is some of my work that I made during my time here. As a full tech artist, it might not all be as visual as most other entries, but I hope you will still enjoy the read! :)
Mushroom Cavern (1/5)
Be transported into the magical land underneath the Earth's surface. Created with my own mushroom HDA, this piece holds a special place in my heart.
The original goal was to create a 180 degree environment created in about 2 weeks. Because of this short time frame and the amount of mushrooms I needed, I knew I wasn't going to model them all. For this reason, I created a simple HDA with which I was able to create a variety of mushrooms.
To give the mushrooms some more variety, they have also been vertex painted to blend between two textures. This also let them fit better into the environment.
The other assets came from Quixel's Megascans, while the adorable creature is from DotFlare on Sketchfab. Lighting and set placement are all done by me.
The Ice Dragon's Lair (2/5)
To the brave adventurer, be warned, a dragon has made the tower its lair. In this project, I played around with Niagara and Unreal to create some real-time visual effects.
I wanted to recreate the style of Ori and the Blind Forest as it looked so vibrant and adorable to me. Breaking down the RFX further into its building blocks, I started working on it.
P4 For Maya (3/5)
And here we get to a part that is a whole lot visually pleasing, but still a necessary part of game development and a big part of being a tech artist. Scripting!
For this project, I created a Python script for Maya that would connect Maya to Perforce. The tool is capable of the basics like connecting to the server, automatically checking out files, marking them for add and submitting, as well as some more advanced features like reverting files and checking Maya files for common problems before saving.
It also logs everything including warning and errors. The dockable UI is easy to use, yet out of the way while using Maya.
As for the more technical side, the Python code is easily extendable and adaptable using modules implementing a P4MayaModule abstract class. If added to the UI, it gets its own tab and is completely separated from the other modules of the tool.
Pyhä Luosto National Park (4/5)
Back to visuals we go! Assets were not the only thing I used Houdini for. I also dabbled into making an environment using both Houdini and Unreal Engine 5. This fully procedural landscape was created to look as if it could be part of Pyhä Luosto National Park in Finland.
Realistic Ice Shader (5/5)
Completing this journey is a realistic ice shader for ice caves. Created for my graduation work. This ice shader was created using the new Substrate framework of Unreal Engine 5. It is meant to be useable in a real-time application.
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